nuovo di zecca/antico/argento/kimono lungo, nakajuban, FUDOG/shibori bianco tiedye/M-L/EDO Pristine long kimono/nakajuban exceptional hand shibori

EUR 468,02 Compralo Subito, EUR 31,59 Spedizione, Garanzia cliente eBay
Venditore: clar.salli ✉️ (226) 100%, Luogo in cui si trova l'oggetto: London, GB, Spedizione verso: WORLDWIDE, Numero oggetto: 255164628700 nuovo di zecca/antico/argento/kimono lungo, nakajuban, FUDOG/shibori bianco tiedye/M-L/EDO. There are an infinite number of ways one can bind, stitch, fold, twist, or compress cloth for shibori, and each way results in very different patterns. Therefore, the technique used in shibori depends not only on the desired pattern, but the characteristics of the cloth being dyed. WILL SHIP UK, INSURED, EU £ 26/ INSURED, INTERNATIONAL, £32  , INSURED,COURIER, NO PO BOXES, ONLY PREMIER COLLECTORS OF HIGH END JAPANESE TEXTILE ART. interested parties should leave a return tel number, Mint, vintage, EDO period, Long medium  Indigo Blue --Silk Kimono, Nagajuban, Nakajuban, used with a sash or obi,---------not provided here, Fudog or dragon shibori work, see definitions of shibori, this is very precise and unique a piece- better than designer brands:) This has been featured in ARTS OF ASIA, 2006, and also at the Bonhams- bond street, Japan sale, 7 years back along with a dedicated section to a range of haoris, nakajubans, textile art This should fit, both male adults, females, and is used as an informal inner garment/ however it can be used as a house coat, a plain obi,upon request will be issued, Why is it so expensive/ First all the work is historical, the fabric medium weight silk, the long , arduous precise shibori tie dye, is immaculate and handmade, using a pebble to tie and then to get the overall motif, which has a raised relief and puckered effect. NO SMUDGES, STAINS, TEARS, WEAR, TEAR- DRY CLEAN READY TO SHIP -- a fraction of the original cost of usd 12 000./£1145 Please google Terry Warth,and Marla Mallet, both leading experts in JAPANESE costume and wearable artworks. Measurements Length from top of shoulder to hemline         62 ins pit to pit x 2                                                    50 ins all these kimonos, haoris, have a raglan cut, so no definite seam to restrain the movement, Length of sleeve                                           26 ins Back of shoulder                                           30 ins Hips, Hemline all similar, not flared              50 ins Please email seller, if you wish to understand more about such textiles works of art what is shibori in Japan, the earliest known example of cloth dyed with a shibori technique dates from the 8th century; it is among the goods donated by the Emperor Shōmu to the Tōdai-ji in Nara. Until the 20th century, not many fabrics and dyes were in widespread use in Japan. The main fabrics were silk and hemp, and later cotton. The main dye was indigo and, to a lesser extent, madder and purple root. Shibori and other textile arts, such as tsutsugaki, were applied to all of these fabrics and dyes. Techniques Ne-maki shibori example. There are an infinite number of ways one can bind, stitch, fold, twist, or compress cloth for shibori, and each way results in very different patterns. Each method is used to achieve a certain result, but each method is also used to work in harmony with the type of cloth used. Therefore, the technique used in shibori depends not only on the desired pattern, but the characteristics of the cloth being dyed. Also, different techniques can be used in conjunction with one another to achieve even more elaborate results. Kanoko shibori Kanoko shibori is what is commonly thought of in the West as tie-dye. It involves binding certain sections of the cloth to achieve the desired pattern. Traditional shibori requires the use of thread for binding. The pattern achieved depends on how tightly the cloth is bound and where the cloth is bound. If random sections of the cloth are bound, the result will be a pattern of random circles. If the cloth is first folded then bound, the resulting circles will be in a pattern depending on the fold used. Miura shibori] Miura shibori is also known as looped binding. It involves taking a hooked needle and plucking sections of the cloth. Then a thread is looped around each section twice. The thread is not knotted; tension is the only thing that holds the sections in place. The resulting dyed cloth is a water-like design. Because no knot is used, miura shibori is very easy to bind and unbind. Therefore, this technique is very often used. Kumo shibori Kumo shibori is a pleated and bound resist. This technique involves pleating sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This technique is very precise to produce this specific design. Nui shibori Fragment of a Kimono (Kosode) with Tie-dyeing (kanoko shibori) and silk and metallic thread embroidery, 17th century Nui shibori includes stitched shibori. A simple running stitch is used on the cloth then pulled tight to gather the cloth. The thread must be pulled very tight to work, and a wooden dowel must often be used to pull it tight enough. Each thread is secured by knotting before being dyed. This technique allows for greater control of the pattern and greater variety of pattern, but it is much more time consuming. Arashi shibori Arashi shibori is also known as pole-wrapping shibori. The cloth is wrapped on a diagonal around a pole. Then the cloth is very tightly bound by wrapping thread up and down the pole. Next, the cloth is scrunched on the pole. The result is a pleated cloth with a design on a diagonal. "Arashi" is the Japanese word for storm. The patterns are always on a diagonal in arashi shibori which suggest the driving rain of a heavy storm. Itajime shibori Itajime shibori is a shaped-resist technique. Traditionally, the cloth is sandwiched between two pieces of wood, which are held in place with string. More modern textile artists can be found using shapes cut from acrylic or plexiglass and holding the shapes with C-clamps. The shapes prevent the dye from penetrating the fabric they cover. References Further reading Dubrawsky, Malka. Optical illusion: combining itajime with commercial fabrics. Quilting Arts. Dec/Jan 2009, pages 46–50 Yoshiko Wada, Mary Kellogg Rice, and Jane Barton. Shibori: the inventive art of Japanese shaped resist dyeing. Tokyo: Kodansha International, 1983. Galli, Andrew and Yoshiko Iwamoto Wada. "Arimatsu, Narumi shibori celebrating 400 years of Japanese artisan design". (DVD) produced by Arimatsu Shibori Mutsumi-kai (Japan) ; Studio Galli Productions (USA) Fremont, Calif. 2007 Southan, Mandy. Shibori Designs & Techniques. Tunbridge Wells, Kent, UK: Search Press, 2009. will accept  lawaway schemes under ebay rules, or personal collection,  NO RETURNS, REFUNDS,  exchanges. Courier delivery, postal if delayed due to inclement weather, acts of god, force majeure will be for account of buyer, ideal for personal use and as a wall hanging on a japanese stick/rod for display everything is shipped insured via courier. you need to auto leave a tel , mobile number for all courier shipments
  • Condition: Usato
  • Condition: RARE, EDO, prior to 1900, mint , true vintage, all silk nakajuban, house coat, with superior coloud swirls, FUDOG and dragon, motifs, of pristine tie dye resist, by hand, ie shibori work, this is under the cost if bought at a major auction house, acquired years ago, as part of a large haori, kimono, obi and other japanese textiles, please see all prics,professionally stored, please provide ample notice, for it to come out of storage, already dry cleaned, will be flat packed, courier mandatory as is insurance
  • Brand: japanese handmade
  • edo/collectible, indigo blue medium: weight silk, kimono, nakn/FUDOG, SHIBORII,/
  • Occasion: Casual
  • Decade: 1900s
  • Main Colour: Grey blue
  • Original/Reproduction: ORIGINAL
  • Material: MEDIUM WEIGHT JAPANESE SILK
  • Gender: UNISEX
  • Look: Costume
  • Country/Region of Manufacture: Japan
  • Modified Item: No

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